Clever Danielle wrote:
Very, very rawr.
I am in complete agreement with you, my savvy HR sister. I also feel that anyone who HAS drawn upon the Jackson comparison is simply not thinking all that deeply about what Burton does with his films -- that's called "auteur criticism," by-the-by, when you examine certain themes and styles and moods in a director's work as a whole. Basically, Burton looooves "the other," and he's always focusing on them. His characters are almost always others, complete with old-fashioned/eccentric clothing:
Edward Scissorhands was a lonely monster set against a world of endless suburbia,
The Nightmare Before Christmas involved an eccentric Halloween world set against a world of regular old Christmases,
Ed Wood was an eccentric transvestite whose bad-but-mad monster films were made fun of by the regular old masses. Heck, even Burton's
Batman clearly focused on the character's noir-type "otherness:" an eccentric guy in a batsuit who is always dealing with monsters and yet, like a monster himself, is always isolated from the crazy-normal masses in his big old batcave.
And see, Depp's Wonka has all these themes as well. The factory is his lonely monster castle. He's eccentric. He's a little bit off. He's clearly been eating candy for the greater part of his life -- who wouldn't be weird because of that? As a child, Burton's Wonka is shown trapped in a prison of disfiguring braces -- I mean, what more pitiable monster-character imagery can you HAVE? But in Burton's work, these very things make Wonka great. Because he's NOT normal. Ergo, he's not boring. He's unique. Burton and Depp's monster-others are different from most movie monsters, because rather than using them to say, "Oh god, scary, run away," they are meant to be unique and audience-beloved and interesting. Celebrating the weird. That's what both Depp and Burton do. To me, that's just plain cool.
I love the book. I like the first film. I like this film. Good times, good times. Guess I didn't study this film stuff for nothing.